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Barry LopezLopez, BarryAmerican, 1945–With publication of the lyrical Arctic Dreams: Imagination and Desire in a Northern Landscape (1986) and his highly praised essay collection Crossing Open Ground (1988), Barry Lopez became a leading voice among writers who employ the art of the nature essay to express their concern for an endangered environment. His spare, clean, descriptive writing reveals an impressive understanding of natural history as he probes the often troublesome but necessary relationship between people and the real and mystical landscapes of nature. His topics reveal a scholar’s grasp of the terminology of ornithology, mythology, marine biology, and anthropology as well as a gifted storyteller’s knack for uncovering the wild longings of the human soul. In a review in the Washington Post (5 May 1988), T.H.Watkins writes that Lopez’s essays validate his position “as one of the most fully involved and supremely articulate chroniclers of the land.”Lopez’s popularity has increased commensurate with heightened public attention to potential hazards posed to oceans, wildlife, and forested lands by technology, urban sprawl and population growth.

His individual appeal as a writer is also secured by the accessibility of his narrative style and personally involved approach to writing. His essays are widely published in such consumer-oriented journals as Smithsonian, Harper’s, Outside, Aperture, and National Geographic, and in such scholarly publications as the Georgia Review, Chouteau Review, Science, and Orion Nature Quarterly. His essays have been included in anthologies, among them On Nature (1987), This Incomperable Lande: A Book of American Nature Writing (1989), Wild Africa (1993), Major Modern Essayists (1994), and American Nature Writing (1994 and 1995). Barry LopezLopez is an activist who endeavors to appeal to a general audience, writing from his own experience as a traveler and adventurer in a form characteristic of Henry David Thoreau and contemporary nature essayist Edward Hoagland. A running theme in Lopez’s essays is the influence of the “exterior landscape” of nature, with its intricate relationship between what is discernible and what is ineffable, on the pattern of speculations, intuitions, and thoughts that take place in the “interior landscape” of the mind. In “Landscape and Narrative” (1984), Lopez explains that through narration, the storyteller “draws on relationships in the exterior landscape and projects them onto the interior landscape” to create a harmony “between the two landscapes” using all the storyteller’s craft of syntax, mood, and figures of speech.Lopez seeks through his attention to descriptive detail and his own participation to evoke epiphanies that foster a feeling of intimacy with the land and reveal a sense of place. “I am up to my waist in a basin of cool, acid-clear water,” he writes in “Gone Back into the Earth” (1981).

In “A Reflection on White Geese” (1982), there is the impression of a man of extreme patience writing about his own habitat, rather than as a visitormerely passing through on his way to somewhere else. “I sat there for three hours, studying the birds’ landings and takeoffs, how they behaved toward each other on the water I am always struck anew in these moments, in observing such detail, by the way in which an animal slowly reveals itself.” His use of metaphor and simile borrows from the attributes of the nature he writes about. In “Trying the Land” (1979), he writes, “We come downslope as graceless as boulders.” Rather than using straightforward argument,he prefers to allow his truths to reveal themselves as if naturally encountered, as a child might wonder, in finding a piece of a raccoon’s jaw in an alder thicket, how the animal had lived and died. In “Children in the Woods” (1982), Lopez writes that “everything found at the edge of one’s senses” ultimately reveals how all things fit together to build an assurance of belonging.Whether writing about ancient stone intaglios, explaining the reason behind the howling of wolves, or describing the snap and crack of an ice floe, Lopez expends considerable scholarly research and makes good use of his expert sources, which include botanists, biologists, naturalists, artists, and musicians.

But he chooses to reveal the world of nature through the experience and eyes of his experts, rather than to rely solely on their academic expertise. In “A Presentation of Whales” (1980), a disturbing essay about the consternation that accompanies civilization’s inability to cope with the enormity of natural processes, in this case the death of beached whales, the reader views through the eyes of a young biologist the horror of 41 rotting whales stretched for 500 yards nose to fluke.

Underland by Robert Macfarlane SummaryThe unmissable new book from the bestselling, prize-winning author of Landmarks, The Old Ways and The Lost Words 'You'd be crazy not to read this book' The Sunday Times 'Underland is a magnificent feat of writing, travelling and thinking that feels genuinely frontier pushing, unsettling and exploratory' Evening Standard 'Marvellous. Neverending curiosity, generosity of spirit, erudition, bravery and clarity. This is a book well worth reading' The Times 'Extraordinary. At once learned and readable, thrilling and beautifully written' Observer 'Attentive, thoughtful, finely honed. I turned the last page with the unusual conviction of having been in the company of a fine writer who is - who must surely be - a good man' Telegraph Discover the hidden worlds beneath our feet. In Underland, Robert Macfarlane takes a dazzling journey into the concealed geographies of the ground beneath our feet - the hidden regions beneath the visible surfaces of the world.

From the vast below-ground mycelial networks by which trees communicate, to the ice-blue depths of glacial moulins, and from North Yorkshire to the Lofoten Islands, he traces an uncharted, deep-time voyage. Underland a thrilling new chapter in Macfarlane's long-term exploration of the relations of landscape and the human heart. 'He is the great nature writer, and nature poet, of this generation' Wall Street Journal 'Packed with stories based in geography, history, myth, gossip, legend, religion, geology and the natural world. Macfarlane's writing moves and enthrals' The Times on The Old Ways 'Irradiated by a profound sense of wonder. Few books give such a sense of enchantment; it is a book to give to many, and to return to repeatedly' Independent on Landmarks.

Underland: A Deep Time Journey by Robert Macfarlane SummaryFrom the best-selling, award-winning author of Landmarks and The Old Ways, a haunting voyage into the planet’s past and future. Hailed as 'the great nature writer of this generation' (Wall Street Journal), Robert Macfarlane is the celebrated author of books about the intersections of the human and the natural realms. In Underland, he delivers his masterpiece: an epic exploration of the Earth’s underworlds as they exist in myth, literature, memory, and the land itself. In this highly anticipated sequel to his international bestseller The Old Ways, Macfarlane takes us on an extraordinary journey into our relationship with darkness, burial, and what lies beneath the surface of both place and mind.

Traveling through “deep time”—the dizzying expanses of geologic time that stretch away from the present—he moves from the birth of the universe to a post-human future, from the prehistoric art of Norwegian sea caves to the blue depths of the Greenland ice cap, from Bronze Age funeral chambers to the catacomb labyrinth below Paris, and from the underground fungal networks through which trees communicate to a deep-sunk “hiding place” where nuclear waste will be stored for 100,000 years to come. “Woven through Macfarlane’s own travels are the unforgettable stories of descents into the underland made across history by explorers, artists, cavers, divers, mourners, dreamers, and murderers, all of whom have been drawn for different reasons to seek what Cormac McCarthy calls “the awful darkness within the world.” Global in its geography and written with great lyricism and power, Underland speaks powerfully to our present moment. Taking a deep-time view of our planet, Macfarlane here asks a vital and unsettling question: “Are we being good ancestors to the future Earth?” Underland marks a new turn in Macfarlane’s long-term mapping of the relations of landscape and the human heart. From its remarkable opening pages to its deeply moving conclusion, it is a journey into wonder, loss, fear, and hope. At once ancient and urgent, this is a book that will change the way you see the world.

Underland by Robert Macfarlane SummaryHailed as 'the great nature writer of this generation' (Wall Street Journal), Robert Macfarlane is the celebrated author of books about the intersections of the human and the natural realms. In Underland, he delivers his masterpiece: an epic exploration of the Earth's underworlds as they exist in myth, literature, memory, and the land itself. In this highly anticipated sequel to his international bestseller The Old Ways, Macfarlane takes us on an extraordinary journey into our relationship with darkness, burial, and what lies beneath the surface of both place and mind. Traveling through 'deep time'-the dizzying expanses of geologic time that stretch away from the present-he moves from the birth of the universe to a post-human future, from the prehistoric art of Norwegian sea caves to the blue depths of the Greenland ice cap, from Bronze Age funeral chambers to the catacomb labyrinth below Paris, and from the underground fungal networks through which trees communicate to a deep-sunk 'hiding place' where nuclear waste will be stored for 100,000 years to come. 'Woven through Macfarlane's own travels are the unforgettable stories of descents into the underland made across history by explorers, artists, cavers, divers, mourners, dreamers, and murderers, all of whom have been drawn for different reasons to seek what Cormac McCarthy calls 'the awful darkness within the world.'

Global in its geography and written with great lyricism and power, Underland speaks powerfully to our present moment. Taking a deep-time view of our planet, Macfarlane here asks a vital and unsettling question: 'Are we being good ancestors to the future Earth?' Underland marks a new turn in Macfarlane's long-term mapping of the relations of landscape and the human heart. From its remarkable opening pages to its deeply moving conclusion, it is a journey into wonder, loss, fear, and hope.

At once ancient and urgent, this is a book that will change the way you see the world. The Old Ways by Robert Macfarlane Summary'Read this and it will be impossible to take an unremarkable walk again' Metro THE SUNDAY TIMES BESTSELLER Acclaimed nature writer Robert Macfarlane travels Britain's ancient paths and discovers the secrets of our beautiful, underappreciated landscape. Following the tracks, holloways, drove-roads and sea paths that form part of a vast ancient network of routes criss-crossing the British Isles and beyond, Robert Macfarlane discovers a lost world - a landscape of the feet and the mind, of pilgrimage and ritual, of stories and ghosts; above all of the places and journeys which inspire and inhabit our imaginations. 'Really do love it. He has a rare physical intelligence and affords total immersion in place, elements and the passage of time: wonderful' Antony Gormley 'Macfarlane immerses himself in regions we may have thought familiar, resurrecting them newly potent and sometimes beautifully strange.

In a moving achievement, he returns our heritage to us' Colin Thubron 'The Old Ways confirms Robert Macfarlane's reputation as one of the most eloquent and observant of contemporary writers about nature' Scotland on Sunday 'Sublime writing. Sets the imagination tingling.

Macfarlane's way of writing is free, exploratory, rambling and haphazard but resourceful, individual, following his own whims, and laying an irresistible trail for readers to follow' Sunday Times 'Macfarlane relishes wild, as well as old, places. He writes about both beautifully. I love to read Macfarlane' John Sutherland, Financial Times 'A marvellous marriage of scholarship, imagination and evocation of place. I always feel exhilarated after reading Macfarlane' Penelope Lively SHORTLISTED FOR THE SAMUEL JOHNSON PRIZE 2012. Landmarks by Robert Macfarlane SummarySHORTLISTED FOR THE SAMUEL JOHNSON PRIZE 2015 SHORTLISTED FOR THE WAINWRIGHT PRIZE 2016 Landmarks is Robert Macfarlane's joyous meditation on words, landscape and the relationship between the two.

Words are grained into our landscapes, and landscapes are grained into our words. Landmarks is about the power of language to shape our sense of place. It is a field guide to the literature of nature, and a glossary containing thousands of remarkable words used in England, Scotland, Ireland and Wales to describe land, nature and weather.

Travelling from Cumbria to the Cairngorms, and exploring the landscapes of Roger Deakin, J. Baker, Nan Shepherd and others, Robert Macfarlane shows that language, well used, is a keen way of knowing landscape, and a vital means of coming to love it. Praise for Robert Macfarlane: 'He has a poet's eye and a prose style that will make many a novelist burn with envy' John Banville, Observer 'I'll read anything Macfarlane writes' David Mitchell, Independent 'Every movement needs stars. In Macfarlane we surely have one, burning brighter with each book.' Telegraph 'Macfarlane is a godfather of a cultural moment' Sunday Times. Mountains of the Mind by Robert Macfarlane SummaryThe basis for the new documentary film, Mountain: A Breathtaking Voyage into the Extreme.

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Combining accounts of legendary mountain ascents with vivid descriptions of his own forays into wild, high landscapes, Robert McFarlane reveals how the mystery of the world’s highest places has came to grip the Western imagination—and perennially draws legions of adventurers up the most perilous slopes. His story begins three centuries ago, when mountains were feared as the forbidding abodes of dragons and other mysterious beasts.

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In the mid-1700s the attentions of both science and poetry sparked a passion for mountains; Jean-Jacques Rousseau and Lord Byron extolled the sublime experiences to be had on high; and by 1924 the death on Mt Everest of an Englishman named George Mallory came to symbolize the heroic ideals of his day. Macfarlane also reflects on fear, risk, and the shattering beauty of ice and snow, the competition and contemplation of the climb, and the strange alternate reality of high altitude, magically enveloping us in the allure of mountains at every level. The Gifts of Reading by Robert Macfarlane SummaryFrom the acclaimed author of The Old Ways and Landmarks - an essay on the joy of reading, for anyone who has ever loved a book Every book is a kind of gift to its reader, and the act of giving books is charged with a special emotional resonance. It is a meeting of three minds (the giver, the author, the recipient), an exchange of intellectual and psychological currency, that leaves each participant enriched.

Here Robert Macfarlane recounts the story of a book he was given as a young man, and how he managed eventually to return the favour, though never repay the debt. From one of the most lyrical writers of our time comes a perfectly formed gem, a lyrical celebration of the transcendent power and humanity of the given book. Silt by Robert Macfarlane SummaryIn Silt, bestselling travel writer Robert Macfarlane walks the Broomway, the deadliest path in Britain. In one of the most striking chapters of his brilliant 2012 book The Old Ways, Robert Macfarlane walks the Essex offshore path which has claimed the lives of more than sixty people over the centuries. His companion on this atmospheric and potentially perilous journey is his old friend and photographer, David Quentin. In this special e-book edition, the Broomway section of The Old Ways appears alongside a run of twenty-two photographs taken that day by David, which form a haunting counterpoint to the text itself.

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In a newly written afterword, David reflects on the walk, on Robert Macfarlane's writing and on the fascinating legal terrain which paths like this one traverse even as they cross the land itself. Praise for The Old Ways: 'Macfarlane has shown how utterly beautiful a brilliantly written travel book can still be.

As perfect as his now classic The Wild Places. Maybe it is even better than that' William Dalrymple, Observer 'A lovely book, a poetic investigation into what it is to follow a path, on land and at sea, in the footsteps of both our ancient predecessors and such writers as Edward Thomas: Macfarlane is reviving an entire body of nature writing here' David Sexton, Evening Standard 'Beautifully written, moving, thrilling. It reminded me of how much stranger and richer the world is. At walking speed' Philip Pullman, Guardian 'A magnificent meditation on walking and writing. An astonishingly haunted book' Adam Nicolson, Daily Telegraph 'The Old Ways sets the imagination tingling.

It is like reading a prose Odyssey sprinkled with imagist poems' John Carey, Sunday Times Robert Macfarlane is the author of the award-winning Mountains of the Mind; The Wild Places; The Old Ways, which was shortlisted for the 2012 Samuel Johnson Prize for Non-Fiction; and Landmarks, which was shortlisted for the 2015 Samuel Johnson Prize. He is a Fellow of Emmanuel College, Cambridge. David Quentin is a barrister specialising in tax law. He also takes photographs, teaches Cambridge undergraduates about versification and plays the bass guitar in London-based krautgoth noisegaze outfit The Murder Act. Underground by Will Hunt SummaryA panoramic investigation of the subterranean landscape, from sacred caves and derelict subway stations to nuclear bunkers and ancient underground cities—an exploration of the history, science, architecture, and mythology of the worlds beneath our feet When Will Hunt was sixteen years old, he discovered an abandoned tunnel that ran beneath his house in Providence, Rhode Island. His first tunnel trips inspired a lifelong fascination with exploring underground worlds, from the derelict subway stations and sewers of New York City to the sacred caves, catacombs, and tombs, from bunkers to ancient underground cities in more than twenty countries around the world.

Underground is both a personal exploration of Hunt’s obsession and a panoramic study of how we are all connected to the underground, how caves and other dark hollows have frightened and enchanted, repelled and captivated, us through the ages. In a narrative spanning continents and epochs, Hunt follows a cast of subterranea-philes who have dedicated themselves to investigating underground worlds. He tracks the origins of life with a team of NASA microbiologists a mile beneath the Black Hills, camps out for three days with urban explorers in the catacombs and sewers of Paris, descends with an Aboriginal family into a 35,000-year-old sacred mine in the Australian outback, follows a ghostlike graffiti artist writing stories in the subway tunnels of New York, and glimpses a sacred sculpture molded by Paleolithic artists in the depths of a cave in the Pyrenees. Each adventure is woven with findings in mythology and anthropology, natural history and neuroscience, literature and philosophy. In elegant and graceful prose, Hunt cures us of our “surface chauvinism,” opening our eyes to the planet’s hidden dimension. He reveals how the subterranean landscape gave shape to our most basic beliefs, including how we think about ourselves as humans.

At bottom, Underground is a meditation on the allure of darkness, the power of mystery, and our eternal desire to connect with what we cannot see. Advance praise for Underground “An unusual and intriguing travel book. As Will Hunt reveals the scientific, historic, literary, psychological, spiritual, and metaphorical qualities of his exploration, it begins to seem less idiosyncratic than universal, a pull that has persisted throughout civilization and a mystery that has yet to be solved. The underground may represent hell to some, but it has also provided spiritual solace for centuries. A vivid illumination of the dark and an effective evocation of its profound mystery.”—Kirkus Reviews (starred review).

Disappearing Earth by Julia Phillips Summary'Splendidly imagined. Thrilling' -Simon Winchester 'A genuine masterpiece' -Gary Shteyngart Spellbinding, moving-evoking a fascinating region on the other side of the world-this suspenseful and haunting story announces the debut of a profoundly gifted writer. One August afternoon, on the shoreline of the Kamchatka peninsula at the northeastern edge of Russia, two girls-sisters, eight and eleven-go missing. In the ensuing weeks, then months, the police investigation turns up nothing. Echoes of the disappearance reverberate across a tightly woven community, with the fear and loss felt most deeply among its women. Taking us through a year in Kamchatka, Disappearing Earth enters with astonishing emotional acuity the worlds of a cast of richly drawn characters, all connected by the crime: a witness, a neighbor, a detective, a mother.

We are transported to vistas of rugged beauty-densely wooded forests, open expanses of tundra, soaring volcanoes, and the glassy seas that border Japan and Alaska-and into a region as complex as it is alluring, where social and ethnic tensions have long simmered, and where outsiders are often the first to be accused. In a story as propulsive as it is emotionally engaging, and through a young writer's virtuosic feat of empathy and imagination, this powerful novel brings us to a new understanding of the intricate bonds of family and community, in a Russia unlike any we have seen before. The Last Pirate of New York by Rich Cohen SummaryWas he New York City’s last pirate.

Or its first gangster? This is the true story of the bloodthirsty underworld legend who conquered Manhattan, dock by dock—for fans of Gangs of New York and Boardwalk Empire.

“History at its best. I highly recommend this remarkable book.”—Douglas Preston, #1 New York Times bestselling author of The Lost City of the Monkey God Handsome and charismatic, Albert Hicks had long been known in the dive bars and gin joints of the Five Points, the most dangerous neighborhood in maritime Manhattan. For years, he operated out of the public eye, rambling from crime to crime, working on the water in ships, sleeping in the nickel-a-night flops, drinking in barrooms where rat-baiting and bear-baiting were great entertainments.

His criminal career reached its peak in 1860, when he was hired, under an alias, as a hand on an oyster sloop. His plan was to rob the ship and flee, disappearing into the teeming streets of lower Manhattan, as he’d done numerous times before, eventually finding his way back to his nearsighted Irish immigrant wife (who, like him, had been disowned by her family) and their infant son. But the plan went awry—the ship was found listing and unmanned in the foggy straits of Coney Island—and the voyage that was to enrich him instead led to his last desperate flight.

Long fascinated by gangster legends, Rich Cohen tells the story of this notorious underworld figure, from his humble origins to the wild, globe-crossing, bacchanalian crime spree that forged his ruthlessness and his reputation, to his ultimate incarnation as a demon who terrorized lower Manhattan, at a time when pirates anchored off 14th Street. Advance praise for The Last Pirate of New York “A remarkable work of scholarship about old New York, combined with a skillfully told, edge-of-your-seat adventure story—I could not put it down.”—Ian Frazier, author of Travels in Siberia “With its wise and erudite storytelling, Rich Cohen’s The Last Pirate of New York takes the reader on an exciting nonfiction narrative journey that transforms a grisly nineteenth-century murder into a shrewd portent of modern life. Totally unique, totally compelling, I enjoyed every page.”—Howard Blum, New York Times bestselling author of Gangland and American Lightning. Underlands by Ted Nield SummaryNot so long ago, our roads, buildings, gravestones and monuments were built from local rock, our cities were powered by coal from Welsh mines, and our lamps were lit with paraffin from Scottish shale. We live among the remnants of those times but for the most part our mines are gone, our buildings are no longer local, and the flow of stone travels east to west. Spurred on by the erasure of history and industry, Ted Nield journeyed across this buried landscape: from the small Welsh village where his mining ancestors were born and died, to Swansea, Aberdeen, East Lothian, Surrey and Dorset. Nield unearths the veins of coal, stone, oil, rock and clay that make up the country beneath our feet, exploring what the loss of kinship between past and present means for Britain and the rest of the world today.

Outpost by Dan Richards SummaryThere are still wild places out there on our crowded planet. Through a series of personal journeys, Dan Richards explores the appeal of far-flung outposts in mountains, tundra, forests, oceans and deserts. These are landscapes that speak of deep time, whose scale can knock us down to size. Their untamed nature is part of their beauty and such places have long drawn the adventurous, the spiritual and the artistic. For those who go in search of the silence, isolation and adventure of wilderness it is – perhaps ironically – to man-made shelters that they often need to head; to bothies, bivouacs, camps and sheds.

Part of the allure of such refuges is their simplicity: enough architecture to keep the weather at bay but not so much as to distract from the natural world. Following a route from the Cairngorms of Scotland to the fire-watch lookouts of Washington State, from Iceland’s ‘Houses of Joy’ to the Utah desert; frozen ghost towns in Svalbard to shrines in Japan; Roald Dahl’s Metro-land writing hut to a lighthouse in the North Atlantic, Richards explores landscapes which have inspired writers, artists and musicians, and asks: why are we drawn to wilderness? What can we do to protect them?

And what does the future hold for outposts on the edge? The Sun Is a Compass by Caroline Van Hemert SummaryFor fans of Cheryl Strayed, the gripping story of a biologist's human-powered journey from the Pacific Northwest to the Arctic to rediscover her love of birds, nature, and adventure. During graduate school, as she conducted experiments on the peculiarly misshapen beaks of chickadees, ornithologist Caroline Van Hemert began to feel stifled in the isolated, sterile environment of the lab. Worried that she was losing her passion for the scientific research she once loved, she was compelled to experience wildness again, to be guided by the sounds of birds and to follow the trails of animals. In March of 2012 she and her husband set off on a 4,000-mile wilderness journey from the Pacific rainforest to the Alaskan Arctic, traveling by rowboat, ski, foot, raft, and canoe. Together, they survived harrowing dangers while also experiencing incredible moments of joy and grace - migrating birds silhouetted against the moon, the steamy breath of caribou, and the bond that comes from sharing such experiences.

A unique blend of science, adventure, and personal narrative, the book explores the bounds of the physical body and the tenuousness of life in the company of creatures whose daily survival is nothing short of miraculous. It is a journey through the heart, the mind, and some of the wildest places left in North America. In the end, The Sun Is a Compass is a love letter to nature, an inspiring story of endurance, and a beautifully written testament to the resilience of the human spirit.

The Naked Ape by Desmond Morris SummaryFIFTIETH ANNIVERSARY EDITION - WITH A NEW PREFACE BY THE AUTHOR Here is the Naked Ape at his most primal - in love, at work, at war. Meet man as he really is: relative to the apes, stripped of his veneer as we see him courting, making love, sleeping, socialising, grooming, playing. Zoologist Desmond Morris's classic takes its place alongside Darwin's Origin of the Species, presenting man not as a fallen angel, but as a risen ape, remarkable in his resilience, energy and imagination, yet an animal nonetheless, in danger of forgetting his origins. With its penetrating insights on man's beginnings, sex life, habits and our astonishing bonds to the animal kingdom, The Naked Ape is a landmark, at once provocative, compelling and timeless. 'Original, provocative and brilliantly entertaining. It's the sort of book that changes people's lives' Sunday Times.